Very fragile they are, and almost alive. The wooden robot
arms of Ken Rinaldo and Mark Grossman"s installation The
Flock move in the direction of every sound they register.
While doing that they carefully refrain from touching each
other or the spectator. No movement has been programmed
beforehand. Simple rules of conduct have made the arms careful
and in that way they move the audience. Whereas other robots
are almost invariably made of met...[ more ]
